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SNL Pro takes the stage at Vh1 Supersonic 2020

SNL Pro takes the stage at Vh1 Supersonic 2020

SNL Pro takes the stage at Vh1 Supersonic 2020

India:

The Vh1 Supersonic is an Indian music festival that has welcomed musicians from hip-hop, indie rock and electronic music such as Incubus, Marshmello, Bonobo, Jaden Smith, Sean Paul and Alt-J to its stage. Every year, SNL Pro works on the show and, for the 2020 edition in Pune, the company helped out with the audio, trussing, rigging and special effects by equipping all four stages with products from L-Acoustics, DiGiCo and RCF.

‘We have been a part of the festival since its inception and have seen it grow to become India's biggest multi-genre music festival. Every year, there is an artist lineup that is pretty expansive,’ shared Manish Mavani, director of SNL Pro. ‘Starting as a beachside music festival in Goa, Vh1 Supersonic is now held on the lush plains of Mahalakshmi Lawns, Pune. It has gone on to become the country’s biggest multi-genre experiential festival. From energetic electronic artists to global pioneers of hip-hop music to the best indie rock artists, the 2020 edition had absolutely everything over four stages which were all powered, designed and reinforced by SNL Pro along with total trussing and stunning special effects to add the final cherry to the cake.’

For the main stage, SNL Pro supplied 24 K1s and 36 SB28 subwoofers. Six K2s were used for down-fill, while front-fill consisted of eight Arcs loudspeakers and out-fill comprised 18 Karas. The DJ booth was installed with six Karas and two SB28 subwoofers. The main stage was also equipped with eight 115XT floor monitors alongside three LA8 and 30 LA12X amplifiers. A DiGiCo SD10 console was used for FOH.

A DiGiCo SD10 console
A DiGiCo SD10 console

The live stage featured 16 K1s and 24 SB28 subwoofers. Down-fill consisted of six K2s and six Karas were used for front-fills. For side-fill, SNL Pro used six Karas and four SB28s and, for monitoring, it set up 16 X15s and two SB18s. A DiGiCo SD10 console was again used for FOH. For the techno stage, SNL Pro turned to RCF and provided 20 TTL 33-As alongside 12 TTL subs and a further four TTLs for front-fill. The DJ booth was equipped with four L-Acoustics Arcs and two SB28s.

‘SNL Pro’s crew is very professional and technically avid,’ concluded Nirdosh Aggarwal, director of sales at Hi-Tech Audio Systems. ‘Manish is always keen to upgrade his inventory and educate his team with the latest technology. We are very enthusiastic to expand our business by adding value to their efforts.’



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